
A new day yesterday : UK progressive rock & the 1970's
Mike BarnesBok · Engelsk · utgitt 2020
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*0010587821 *003NO-LaBS *00520211011223823.0 *007t *008200814b xx e 0 eng d *009 c *019 $bl *020 #$a9781780389202$cNkr 301.00 *035 $a(NO-LaBS)12561129(bibid) *0827#$a780.9411 *0827#$a780.9415 *0827#$a780.942$2b *0827#$a781.6609047 *0827#$a781.66168 *0837#$a781.66$223/nor *090 $c781.66168$dB *1000#$aBarnes, Mike$_14374700 *24512$aA new day yesterday$bUK progressive rock & the 1970's$cMike Barnes *260 #$aLondon$bOmnibus Press$c2020 *300 #$avii, 616 sider, [16] pl.$billustrasjoner *336 #$atekst$0http://rdaregistry.info/termList/RDAContentType/1020$2rdaco *337 #$auformidlet$0http://rdaregistry.info/termList/RDAMediaType/1007$2rdamt *338 #$abind$0http://rdaregistry.info/termList/RDACarrierType/1049$2rdact *5058#$aInnholdsfortegnelse: Introduction: More Songs About Wizards and Hobbits ; CHAPTER 1: It's All Too Beautiful: Psychedelia and the British Psyche ; CHAPTER 2: Notes from the Underground ; Chapter 3: Hyde Park Incident: King Crimson Part One ; CHAPTER 4: The Drive to 1974: King Crimson Part Two ; CHAPTER 5: Orchestral Variations 1967-74 ; CHAPTER 6: Suburban Spacemen: Pink Floyd ; CHAPTER 7: And Did Those Feet ...: Ladies and Gentleman – Lemerpal, Aker & Son ; CHAPTER 8: Kick out the Jams to Jerusalem: Genesis ; CHAPTER 9: Swings and Roundabouts: Yes ; CHAPTER 10: Stand up and Be Counted: Jethro Tull ; CHAPTER 11: From a Whisper to a Scream (Including Lighthouses): Van Der Graaf Generator ; CHAPTER 12: "Plus ... Tubular Bells!": Mike Oldfield & Virgin Records ; CHAPTER 13: Sock in Opposition: Henry Cow ; Chapter 14: Knights in Beige Terylene on Acid: The Moody Blues ; CHAPTER 15: The Moody Poor Man's Blues: Barclay James Harvest and Renaissance ; CHAPTER 16: Divertimento No.1: Notes on Drugs ; CHAPTER 17: In Search of Space: Arthur Brown and Kingdom Come ; CHAPTER 18 In the Garden of England: The Birth of the Canterbury Scene ; CHAPTER 19: Can a Wyatt Man Sing the Blues?: Rock Bottom & Ruth Is Stranger Than Richard CHAPTER 20: Pilgrims' Progress: Caravan ; CHAPTER 21: Counting out Time: Egg ; CHAPTER 22: All Roads Lead to Homerton: Hatfield And The North and National Health ; CHAPTER 23: The 'What I Was Doing Was Too Simple for Them and What They Were Doing Was Too Complicated for Me' Blues: Kevin Ayers and Soft Machine Post-Wyatt ; CHAPTER 24: Divertimento No.2: Notes on Fashion and Youth Tribalism ; CHAPTER 25: Surrey Super Novas: A Brief History of Gracious ; CHAPTER 26: What's Sauce for the Goose: Camel ; CHAPTER 27: So-Called Journalists: Seventies Rock in the Media : CHAPTER 28: Divertimento No.3: Funny Foreigners ; CHAPTER 29: A Jazzy Collection of Antiques, Curios and Battered Ornaments: Colosseum, Greenslade, Pete Brown and Centipede ; CHAPTER 30: All You Need to Do Is Sit Back and Acquire the Taste: Gentle Giant ; CHAPTER 31: Ray Charles, the Godfather of Progressive Rock?: Procol Harum, Traffic and Family ; CHAPTER 32: Come All You Rolling Minstrels: Seventies Folk Rock ; CHAPTER 33: Divertimento No.4: Notes on "It" ; CHAPTER 34: She's a Rainbow: Sonja Kristina and Curved Air ; CHAPTER 35: The Cats in the Grove: Hawkwind, Quintessence, Third Ear Band and the Ladbroke Grove/Notting Hill Freak Scene ; CHAPTER 36: Divertimento No.5: Notes on Politics ; CHAPTER 37: Electrick Gypsies: Steve Hillage and Gong ; CHAPTER 38: The Art School Dance Goes on Forever: Brian Eno, Roxy Music, Quiet Sun and 801 ; CHAPTER 39: Divertimento No.6: Notes on Festivals ; CHAPTER 40: 1974 – the Tipping Point ; CHAPTER 41: There's Gonna Be a Storm: UK Punk ; CHAPTER 42: The End of the Century *650 4$aCanterbury scene$_42132000 *650 4$aDypdykk i musikkhistorien$xDel 32: Spacerock$_68090200 *650 4$aPopmusikk$xHistorie$x1970-årene$_42650800 *650 4$aPopmusikk$zEngland$_42355000 *650 4$aPopmusikk$zIrland$_46957100 *650 4$aPopmusikk$zSkottland$_46957000 *650 4$aProgressiv rock$_41529000 *650 4$aPsykedelia$_41528900 *650 4$aRock in Opposition$_42193600 *650 4$aRock$_20260900 *650 4$aSpacerock$_46965100 *7001#$aAyers, Kevin$d1944-2013$_42182100 *7001#$aBrown, Arthur$d1942-$_42243800 *7001#$aEno, Brian$d1948-$_10900200 *7001#$aHillage, Steve$d1951-$_42047700 *7001#$aOldfield, Mike$d1953-$_11193900 *7001#$aSonja Kristina$d1949-$_46964200 *7001#$aWyatt, Robert$d1945-$_36808900 *7102#$a801$gmusikkgruppe$_55095000 *7102#$aBarclay James Harvest$gmusikkgruppe$_54682300 *7102#$aCamel$gmusikkgruppe$_54082200 *7102#$aCaravan$gmusikkgruppe$_52581800 *7102#$aCentipede$gmusikkgruppe$_55095100 *7102#$aColosseum$gmusikkgruppe$_54184000 *7102#$aCurved Air$gmusikkgruppe$_55095200 *7102#$aEgg$gmusikkgruppe$_49969300 *7102#$aFamily$gmusikkgruppe$_55095300 *7102#$aGenesis$gmusikkgruppe$_50884300 *7102#$aGentle Giant$gmusikkgruppe$_49971100 *7102#$aGong$gmusikkgruppe$_54067100 *7102#$aGracious$gmusikkgruppe$_55095400 *7102#$aGreenslade$gmusikkgruppe$_54184100 *7102#$aHatfield and the North$gmusikkgruppe$_52631000 *7102#$aHawkwind$gmusikkgruppe$_51634700 *7102#$aJethro Tull$gmusikkgruppe$_53811400 *7102#$aKing Crimson$gmusikkgruppe$_48336000 *7102#$aKingdom Come$gmusikkgruppe$_55095500 *7102#$aNational Health$gmusikkgruppe$_49968500 *7102#$aPink Floyd$gmusikkgruppe$_48558900 *7102#$aProcol Harum$gmusikkgruppe$_54909400 *7102#$aQuiet Sun$gmusikkgruppe$_55095600 *7102#$aQuintessence$gmusikkgruppe$_55095700 *7102#$aRenaissance$gmusikkgruppe$_55095800 *7102#$aRoxy Music$gmusikkgruppe$_55095900 *7102#$aSoft Machine$gmusikkgruppe$_49707600 *7102#$aThe Moody Blues$gmusikkgruppe$wMoody Blues$_55096000 *7102#$aThird Ear Band$gmusikkgruppe$_55096100 *7102#$aTraffic$gmusikkgruppe$_52803200 *7102#$aVan der Graaf Generator$gmusikkgruppe$_52608800 *7102#$aVirgin Records$gplateselskap$_55096200 *7102#$aYes$gmusikkgruppe$_48370900 ^