New York noise : radical jewish music and the Downtown scene
Barzel, Tamar 780.9049 B
Bok Engelsk utgitt 2015
Hylleplass: Ledig
- Tønsberg Voksen: 1 av 1 ledig
Plassering: musikk (hylleplass: 780.9049 B)
*0010386213 *003NO-LaBS *00520211011212634.0 *007t *008160111b xx e 0 eng d *009 c *019 $bl *020 $a9780253015570 *035 $a(NO-LaBS)10454847(bibid) *0827 $25 *0827 $a780.89924$25 *0827 $a780.904$25 *0827 $a780.9049$25 *0827 $a781.65609009049$25 *090 $c780.9049$dB *1001 $aBarzel, Tamar$_42701200 *24510$aNew York noise$bradical jewish music and the Downtown scene *260 $aBloomington, IN$bIndiana University Press$c2015 *300 $a302 s.$bill. *336 $atekst$0http://rdaregistry.info/termList/RDAContentType/1020$2rdaco *337 $auformidlet$0http://rdaregistry.info/termList/RDAMediaType/1007$2rdamt *338 $abind$0http://rdaregistry.info/termList/RDACarrierType/1049$2rdact *500 $aHar bibliografi og register *5058 $aInnhold: Ethnomusicology multimedia series preface (vii) ; Acknowledgments (xiii) ; Introduction: Radical jewish music in Manhattan (s. 1-33) ; 1 Jewish music: The art of getting it wrong (s. 34-55) ; 2 Breaking a thick silence: A community emerges (s. 56-85) ; 3 From the inexorable to the Iineffable: John Zorn's Kristallnacht and the Masada Project (s. 86-144) ; 4 Rethinking identity: G-d is my co-pilot's queer dada judaism (s. 145-181) ; 5 Shelley Hirsch and Anthony Coleman: Music and memory from the "Nowhere Place" (s. 182-223) ; Epilogue (s. 224-238) ; Notes (s. 239-269) ; Sources (s. 271-286) ; Index (s. 287-302) *60014$aColeman, Anthony$d1955-$_42915900 *60014$aHirsch, Shelley$d1952-$_42916000 *60014$aZorn, John$d1953-$_41565900 *61024$aMasada$gmusikkgruppe$_56930700 *65004$aAvantgarde jazz$zNew York$_42917800 *65004$aAvantgarde$xmusikk$_41723800 *65004$aJazz$xUSA$_42915600 *65014$aDowntown$zNew York$0musikk$_42915200 *65014$aJødisk musikk$xavantgarde$_42915500 *65024$aJødisk musikk$_42915400 *65024$aRadical jewish music$_42915300 ^